COMMENTARY: The Art World’s Self-Serving Lies

“William Blake, one of the greatest artists of all time, understood the connection. “The foundation of empire is art and science remove them or degrade them and the empire is no more — empire follows art and not vice versa as Englishmen suppose.” Empire in this sense doesn’t refer to a specific form of government but more so a culture, the authority of a way of thought, a sense of shared values. Our post modern friends would refer to this as a hegemony.”

THE REMODERN REVIEW

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image by Scott Adams

BEING SMOTHERED IN THEIR OWN TANGLED WEBS: BBC News Roger Scruton’s “How Modern Art Became Trapped by its Urge to Shock”

Key quote from the article, a summary of how the contemporary art world conspires to inflate inferior productions and specious reputations:

“Originality requires learning, hard work, the mastery of a medium and – most of all – the refined sensibility and openness to experience that have suffering and solitude as their normal cost.

“To gain the status of an original artist is therefore not easy. But in a society where art is revered as the highest cultural achievement, the rewards are enormous. Hence there is a motive to fake it. Artists and critics get together in order to take themselves in, the artists posing as the originators of astonishing breakthroughs, the critics posing as the penetrating judges of the true avant-garde.

“In this way Duchamp’s famous urinal…

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COMMENTARY: The Art World’s Self-Serving Lies

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